Monday, April 2, 2018

JALOUSIE (Directed by David Foenkinos & Stéphane Foenkinos)*****


A great film that shows the comedic and dramatic talents of the incredibly beautiful Karin Viard who plays Nathalie, a literature professor who suffers from non-stop jealousy – over her daughter’s looks – over a suitor who happens to innocently watch the daughter pass by the dinner table one night at her mom’s home, over young women, over a new young teacher who poses a threat to her own class. Nathalie becomes vindictive and nasty. She occidentally causes an allergic reaction in her daughter who is auditioning for the ballet Opera. Nathalie is in denial about her bizarre and dangerous behaviour, yet somehow the film makes it funny. Nathalie is in need of help but it seems to come very late in her journey of jealousy. I loved this film; its message is clear: middle-aged women suffer from self-doubt and more. Let’s face it too. French women are rather gorgeous, so it must be a all the more tricky to "compete" with others who are young. (Screened at Montreal’s 2017 Cinemania Festival)

Sunday, March 25, 2018

THE HIBERNATION OF TALENT




Are you one of the many who think that playing an instrument or singing (even in the shower) is not your forte – that ‘Chopsticks’ and humming the doorbell are as good as it gets for you?
As for dancing, you do it in front of the TV when Ellen DeGeneres invites you to join in -- as her sidekick.  No threat there; she can’t see you. Nor can anyone else -- once you’re inside a pitch black dance hall, crammed with crazies wired to show the world they can hip hop, samba, crunch, even belly flop right into the lap of an unsuspecting wall flower. 
You can still feel the pain when a humourless oaf known as ‘big foot’ decided you had an enticing big toe, and stepped on it. Ouch!  That pain still lingers -- even though it happened ten years ago!
Painting is far more peaceful, but you opt for the kind that comes from a gallon because painting a room is no sweat-- well maybe a little -- if the ventilation is poor. (More about your painting stint in school soon follows).
Acting is something you’ve considered. You’ll accept a role - as a rock. You’ve considered taking photography at Algonquin College, but that would mean buying a camera and umpteen lenses. 
Clearly, you’re suffering from IMOOTS (I missed out on talent syndrome). Growing up, you believed that talent was reserved for special people, given to them by God or passed on through the genes. You claim talent eluded you from the get-go - that you belong to the land of bureaucrats, business boys and bean counters,  occupations not exactly brimming with artistic zeal.
Sadly, people who perceive themselves as talentless take it as an irrevocable fact - confirmed since childhood. For example, your parents were told by your piano teacher after a year of lessons (possibly longer, depending on how greedy the teacher was) that they were wasting their hard earned money, that you had no musicality at all. Of course she left out the part about yelling at you every time you hit a wrong note. So your parents informed you in a rather blunt manner: “No more piano lessons; your teacher says you have no talent.” Being a trusting child, you believed them.
Dancing lessons were out for you since your older sister already had that one wrapped up in her pretty pink toe shoes tutu and leotard. 
 But wait! None of your siblings had tackled theatre; things were looking up, until the first time you walked out on stage and broke out in a nervous rash.
Painting percolated in your mind intermittently, but you were young and had no idea what to paint; your mind drew a blank. Thank God for grade one art class. At least they gave you some paints, and they told you what to draw, such as a dog, cat, house or the person sitting next to you.  But let’s be honest: the lesson was really about how to tidy up after you finished your finger painting.  During one nifty brush painting class in grade five, you recall the teacher coming around, complimenting you on the dog you had just painted. Without warning, her happy smile quickly turned into tight-lipped anger when you told her (without meaning any harm) that the ‘dog’ was actually her face, and that the ‘snout’ was her nose!
In my grade seven class at Broadview Avenue Public School, we were making clay ashtrays, putting them into the kiln after we had painted them. The teacher selected mine to show the class. I was beaming. She then announced with great drama in her voice:  “This is how not to make an ashtray.  I was crushed and swore off art forever.
But, life doesn't do ‘never’. Twenty years after the ashtray trauma, I discovered talent is a trickster, and that the past can be your invisible stalker - if you let it. You can be five years old or fifty when talent pops out. Surprise!
Since those infamous days, I have made a series of handmade wooden books, shaped as trees, snowflakes and the sun. I dared to illustrate them myself, even ink in my poetry.  All 200 of them were sold – the first one having been purchased by the curator of Queens University -- to my utter astonishment. The point is, no one told me to make such things or not to. Their creative entry into this world was born from an intense desire to express my love of nature in a tangible manner.  
My desire to create an educational board game all about colour and our universe resulted in my creation of a colour wheel forming the tail of ‘Professor Peacock’. Kids landed on colour squares, picked up a matching colour card and tried to answer the question on the card. This game, titled ‘The Colour Jungle” demanded months to create; it was a labour of love. I somehow had to get that idea realized, and thus the game (never marketed) was born.
Eric Hoffer, the great twentieth century philosopher, wrote: “We are told that talent creates its own opportunities, but it sometimes seems that intense desire creates not only its own opportunities, but its own talents.”  So, a passion to express is the prime provenance of talent.
All of us have talent; what you do about it is key – how do you respond to it? Are you a nay-sayer or a yeah-sayer? Luckily, as adults, we are free to explore the myriad of talents hibernating inside us.
I never predicted I would take up the banjo at the age of 49!  Making three banjo CDs certainly came as a shock to me and everyone who knew me as a piano gal.  Talent is an unpredictable visitor. It’s never too late to explore your ‘heart ideas’ through an art. Don’t give up when talent turns from exhilaration to exasperation.
Gustave Flaubert said: “Talent is a long patience; originality is an effort of will and intense observation.” Many of us give up. I did several times, but I always returned to the task at hand, and each time I did, I realized talent never leaves you. You leave it. Life gets in the way; you get tired.  Stanislavski, the pioneer of method acting used to tell his students: “inspiration is a minute part of talent; the rest is perspiration.”
I can recall practising a really difficult bar of a Bach fugue. I realized I would never get it right. I could rip up the page, bang endlessly on the ivories, or walk away and wait until the desire to express that piece in its entirety returned, and if it didn’t, so be it. I waited 5 months to revisit that bar; I deeply wanted to play that piece, and now I do. Desire gave me the will to overcome the technical challenges. You see, it was not miraculous god-given talent that enabled me to master (to some degree) that piece of music. It was motivation, a state of mind and the desire to express it. Goethe said it best: “Talent finds its happiness in execution.”
Ross Schorer, a former student of Arthur Lismer (Group of Seven), now a highly sought-after art teacher believes everyone is an artist, but self doubt gets in the way. “Many people are afraid of expressing their talent; they risk rejection. It starts as a kid: a family member dismisses the painting you just showed. I know everyone has talent; it can be coaxed out any time. My job is to bring it out of burial. Once this talent is freed, the individual can paint.”

Talent ‘talks’ to you. Release it from hibernation. 

Monday, March 19, 2018

MARIANNE FAITHFULL



A compelling reveal from the iconic singer herself talking about her days with Mick Jagger, her descent into drugs, living on the streets of new York, her stint as a theatre actor and her remarkable come-back. She confesses that her life has really been lived without much thought, taking opportunities when they were given to her. She obviously paid the price for entering a worked she could not cope with, for this beautiful woman is essentially shy and anti-social. Sandrine Bonnaire directed this and conducted the interviews. Marianne Faithfull really could not sing well, and today her voice is best suited for a Brechtian production. Her songs these days are very confessional, and despite her age, her charisma continues to captivate.

Monday, March 12, 2018

FIFA BRINGS GREAT ART FILMS TO US







L’HISTOIRES D’ ISRAEL
 A talking heads presentation by writers and other intellects who express their love fo the country and its many layers and faults.. Inevitably, the main topic is the conflict between Palestinians and Jews. (Screened at FIfA).

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FOCUS IRAN – L'AUDACE AU PREMIER PLAN
A brilliant presentation of several female photographers and what they have to go through to be one. There is so much censorship, but these brave women risk a lot to get their relisitc and often quirky photographs. Many show the repression of women and the depression that is concurrent to being a woman in Iran. (Screened at FIFA)
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JACQUES BREL
A black and white retrospective on this brilliant singer who sought solitude but attracted internatioanl fame with his songs and passionate performances. He left his first family and did a lot of roaming, A restless artist who suffered both in childhood and later. The clips were rare and illuminating. It is always a joy to watch and hear him. Sad, he is no longer with us. Clips were rare and illuminating. It is always a joy to watch and hear him. Sad, he is no longer with us. (Screened at FIFA).

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BECOMING CARY GRANT
Beloved by all, Bristol-born, Grant (Archie Leach) was actually and somewhat ironically, a private person. In the late 1950s, all his life he felt his public persona was not fulfilling to his authentic self. Hollywood sucked him in. His quest is peace of mind. He wanted to rid himself of all hypocrisies. He consults a shrink and nothing seemed to get him what he wanted until he took LSD. This is a highly revealing film about a great actor and man. He took to the fusion of outward and inward “trips”. Judy Babalan was his best friend and she narrates a lot. She says he invented himself and everyone wanted to be like him. But his crisis he faced head-on. He became a different man after each weekly 5-hour session. His subconscious enlightened him after each therapeutic trip where a mosaic of past and present created for him a montage of his life and direction for the future. The film is a type of LSD trip as well as it shows his dreams. He says love eluded him. Manners took over. his mother left him. This gave him trouble with women. Three marriages later, lack of turst overcame in them due to abandonment issues.  Clearly, he suffered from poverty of affect. This film is a must for those in search of the real person behind the actor who was groomed to become the perfect gentleman.

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THE MISSION OF KENT NAGANO
A wonderful film on the Montreal conductor’s prodigious journey to bring classical music to the young, starting right in Montreal at St-Remi School. In addition, “The Magic Flute” was performed in Hamburg with him conducting and directing the youth during rehearsals. Maestro Nagano’s greatest inspiration came from a teacher who settled in the village where he was raised on a farm. This maestro was multi-talented and his many artistic talents shaped the young Nagano. Intent to find out why classical music is not as connected as it ought to be to young people, he states so many reasons that this will change, thanks to his personal efforts. He reveals the power of music as it affects all humans. The documentary takes us to Montreal. Hamburg and Japan as the lens reveals the great  maestro’s contributions. (Screened at FIFA).
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MUSIC IS MUSIC

Soprano, Barbara Hannigan conducts the Ludwig Orchestra and sings Lulu and Crazy Girl. I think the filmmaker was more in love with her hair than anything else.. It made me think that Berg, composer of “Lulu” was usurped by Debussy, who composed “The Girl with the Flaxen Hair”.  Hannigan sings with the orchestra and the musicians play and sing too. The film lacked complete focus, and this subject needed a far more liner and logical approach rather then just showing her conducting and landscape scenes with a voice of a man remembering his childhood and excitement about his music teacher. Who this man behind the voice is supposed to be is unclear.
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MARIANNE FAITHFULL


A compelling reveal from the iconic singer herself talking about her days with Mick Jagger, her descent into drugs, living on the streets of new York, her stint as a theatre actor and her remarkable come-back. She confesses that her life has really been lived without much thought, taking opportunities when they were given to her. She obviously paid the price for entering a worked she could not cope with, for this beautiful woman is essentially shy and anti-social. Sandrine Bonnaire directed this and conducted the interviews. Marianne Faithfull really could not sing well, and today her voice is best suited for a Brechtian production. Her songs these days are very confessional, and despite her age, her charisma continues to captivate.

Wednesday, March 7, 2018

TEHRAN TABOO (Directed by Ali Soozandeh) ****

This exquisitely animated feature uses rotoscope to create a remarkably realistic rendering of characters caught in the jaws of Islamic hypocrisy. They include a musician in need of finding money to give to a girl he thinks he got pregnant; a woman who induces abortions to escape her husband’s hold; another woman who whores herself out to a judge to get papers to divorce her husband. Her child is mute but he, like us, watches the drama unfold. Restrictive Iran forces people to live well below the radar to survive. But some get caught or others take their own lives to avoid shame. Freedom and happiness are not within their reach. A wonderful film that daringly shows how bad things are, and how like everyone else, people can do awful things to fulfil their own agenda. Women are the ones who suffer under the male yoke there. This is a German-Austrian co-production.

ATTACK OF THE SOUTHERN FRIED ZOMBIES (Directed by Mark Newton) ***








 Meat pies and the killer corp kudzu seem to be a big part of the Zombie transformation.  This vicious crop is killing all and turning them into zombies. But Lonnie - who flies a dust crop plane -- leads his marginalized group of Zombie-fighters. They're stuck having to take them all out.  Fun horror but so gory, you'll never want to eat a meat pie again. What an entertaining kudzu-kitsch movie to watch! Great for Montreal’s Fantasia Festival if it’s selected. It should be. 


Monday, March 5, 2018

FESTIVAL ACCES ASIA: SIX FABULOUS CONCERTS




Oracle Bones , Friday May 4 at 8pm at  Sala Rossa 4848 St-Laurent  

Indivisible From Thursday May 10th to Sunday May 13th, 8pm at MAI (Montréal, arts interculturels) 3680, Jeanne-Mance

Eau douce, Eau trouble, Friday May 11th 8pm, at Gesù – Centre de créativité 1200, de Bleury

Strings of Romance, INDIAN MUSIC CONCERTSaturday May 12th 7:30pm,  at  Bourgie Hall  Musée des beaux-arts de Montréal 1339, Sherbrooke W.


GolestanFriday May 18th 8pm, at Sala Rossa 4848, St-Laurent


Wind of Asia – 7th editionOUTDOORS EVENTS, Saturday May 26th 2pm to 5pm, at Jardins Gamelin Place Émilie-Gamelin