Arion's all-Bach
program moved us into joyous rapture and contemplation in their concert, titled
“Bach Ombre et Lumière” (Bach: Shadows and Light). Oboes and bassoon stole the
sonoric show in the first piece, “Sinfonia de la cantate Am Abend aber
desselbigen Sabbats”.
Mathieu Lussier is outstanding on the bassoon and as co-artistic director with Ms. Guimond, he beguiles with his talents.
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Nuria Rial |
Spanish, solo soprano, Nuria Rial stirred us with her pure voice
that emoted so stunningly with her two performances with the orchestra before and
after the intermission. “Zerfliesse, mein Herze” from the "Passion of Saint Joan" was subtly interpreted with restraint and profound sorrow. She also came back to
mesmerize us with her evocatively expressive tones and impeccable phrasing when
she sang “Cantate ich habe genung”. The words in these two works seemed to be a
call for death by Bach as he makes peace with the lord. The instrumental works in the program were performed with Arion’s
signature understanding of nuances, dynamics and timing necessary to capture all
the movements’ own rhythms and musicality in rondeaux, minuets and bourées.
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Hank Knox |
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Claire Guimond |
Hank Knox on the harpsichord and organ and Claire Guimond on
flute delighted us. "Suite No 1 in C major" contrasted to the more serious mood "No 2 in b minor" offered a great showcase for sprightly moments and dark ones
too. Bach was born in 1685 and dies in 1750. These works truly embodied his profound
spirit that embraced life’s darkness and light. A well-deserved standing ovation with lots of ‘bravos' seemed to go not just to the musicians, but to Bach himself. Nice touch of English spoken in explanations. Thank you M. Lussier!
Call 514-355-1825 for tickets to their next concert that features Handel, with guest conductor Boris Begelman, and organ soloist, Jean-Will Kunz.
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