During Montreal’s Highlights Festival, The Theatre of Early Music presented two special concerts. In the first one titled "The Lark and the Nightingale", Michael Chance and Daniel Taylor sang soprano-like pitches of such immeasurable beauty as they articulated the profoundly moving music and lyrics written by Henry Purcell (1659-1695). Profound in their religious and lovelorn themes, Purcell’s songs sublimely suited these world-class singers whose exquisite voices sonorously evoke a century international audiences are nostalgic for. The program’s setting was apt as well. Within Montreal’s graceful yet understated Chapelle Notre-Dame-De Bonsecours, Taylor with humour and modesty also gave the stage over to renowned musicians whose instruments artfully brought back the Early Baroque period. The lute (Sylvain Bergeron), viola (Pemi Paul), violins (Adrian Butterfield, Christina Zacharias), recorders (Mathias Maute, Sophie Larivière), cello (Amanda Keesmat) and organ (Christopher Jackson) were in perfect unison as they lushly filled this lovely chapel with instrumental concerto titled, "On the Death of Henry Purcell", composed by recorder/flute virtuoso Mathias Maute.